Sets (Bhushan Raut and Rakesh Kadam) are nice. Camerawork (by Shabbir Naik) is of a good standard. Anurag Godbole’s background music is effective. Song picturisations (by Vitthal Patil, Ganesh Raut and Demolition Group) are eye-filling. Lyrics (Avadhut Gupte, Viju Mane, Sameer Samant and Vaibhav Joshi) are appropriate. He has narrated the drama in a manner that will be appreciated by the youth. Anand Ingale and Shahbaaz Khan provide good support. Hemangi Kavi lends average support as Mhadu’s wife, Sangeeta.
Prajakta Mali is alright as Babasaheb Pathare’s daughter, Karuna. Pravin Tarde shines in the role of Babasaheb Pathare. Sonalee Kulkarni performs quite well as Usha. Dialogues (Rajesh Deshpande additional dialogues by Sameer Choughule) abound in double entendres and are very entertaining.īhau Kadam does a fine job in the title role. The twists and turns keep the interest of the viewers alive all through. Their screenplay, with additional screenplay by Sameer Choughule, is fast-paced and more engrossing than the story. Viju Mane and Kushal Badrike have written a story which may lack novelty, but is still engaging. Who has assigned Usha the job of killing Pathare? And why? Is Pandu able to save Pathare? Pandu marries Usha (Sonalee Kulkarni) but he soon learns that she has accepted the contract to kill Babasaheb Pathare. He and his friend, Mhadu (Kushal Badrike), are actually stage artistes who join the police force, thanks to politician Babasaheb Pathare (Pravin Tarde).
Zee Studios’ Pandu (Marathi UA) is the story of an honest police hawaldar, Pandu (Bhau Kadam).
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